This piece is a call back to my early period style using my actual technique and stroke. It bears philosophical symbolism confronting macro and micro. It comprises a recall from another piece entitled "Thinking girl" when it comes to the position of the woman figure and I follow my general contrast and contraposition method in it in a very spontaneous, yet more controlled and less organic, manner. It's a sort of "faux cubism" in it's form. It is obviously a conversation driven piece open for discussion and interpretations.